Alice… in Wonderland or Underland?
Alice in Wonderland | Tim Burton | 2010
Eugenia Molina

The look and the ominous in 13 Reasons Why
13 Reasons Why | Brian Yorkey | 2017
Juan Pablo Duarte

The girl of the bubbles
The undoing |2020| David E. Kelley
Ludmila Malischevski

The ominous is the family
Sharp objects | HBO | 2018
Andrés Rosental

Universidad Autónoma de Entre Ríos, Instituto Clínico de Buenos Aires

The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings
La Hija Oscura | Maggy Gyleenhall | 2021
Juan Brodsky

Centro de Investigación y Estudios Clínicos (CIEC), Córdoba

Not being at home. Jentsch and Freud, on the uncanny in the artificial world
Her | Spike Jonze | 2013; 2001 A Space Odyssey | Stanley Kubrick | 1968; Blade Runner | Ridley Scott | 1882; The Terminator | James Cameron | 1984; The Matrix| Lana y Lilly Wachowski | 1999; Ex Machina | Alex Garland | 2015
Darío Sandrone

Facultad de Filosofía y Humanidades, Universidad Nacional de Córdoba

A disturbing origin
Harry Potter and the magic of filiation
Lucía Amatriain, María Elena Domínguez

Facultad de Psicología, Universidad de Buenos Aires

The hunt for truth
Jagten (La cacería o La caza) | Thomas Vinterberg | 2012
Michel Dibarboure

Facultad de Psicología, Universidad de la República, Montevideo

Science and Profession Congress Symposium 2023. Psychoanalysis, ethics and cinema

Eugenia Destefanis, Gigliola Foco, Juan Brodsky, Juan Pablo Duarte, Paula Mastandrea

Successfully ominous vacation
The White Lotus | Mike White | 2021
María Agustina Brandi