This article is, for the time being, only available in Spanish: Una père-version fallida
NOTAS
Abstract
Pier Paolo Pasolini´s film adaptation of Sophocles´ Oedipus The King, offers the peculiarity to joint Oedipus myth and Sofocles´ tragedy, with Sigmund Freud interpretation of the greek tragedy. To which he adds his personal experiences so as to talk about his own Oedipus complex. By adapting Sophocles´ text from psychoanalytic theory, he makes a film that links the universality of Freudian Oedipus complex with his own experience of passionate love for his mother and parricidal hatred against his father.
Keywords: Oedipus complex | Parricide | Incest | Tragedy
Volumen 13 | N° 1
MARCH 2023
March 2023 - June 2023
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.