Journal de Etica y Cine

Volumen 08 | Nº 1

MARCH 2018

A filming look about the silence of God

Martín Agudelo Ramírez

Universidad Autónoma Latinoamericana, Colombia y miembro Art-Kiné Internacional

Abstract

The Seventh Seal (Det Sjunde Inseglet, 1957) is a film written and directed by Ingmar Bergman. The film is an exceptional portrait of the actual man’s fear of the agnostic vacuum that constantly threatens his search for meaning. The Swedish director comes to a medieval metaphor to express his bewilderment at not being able to contemplate the absolute.

Key words: God | medioevo | nothing | silence | empty agnostic.

This article is, for the time being, only available in Spanish: El séptimo sello. Una mirada fílmica sobre el silencio de Dios

NOTAS

The problem of (the) god. Bacchae and Bible in Theorem Amalia Van Aken
Going through institutions: Camino’s film analysis Javier MendizabalNatacha Mateo
Selfishness and community: an ethical reading of The Road Boris Julián Pinto Bustamante; Universidad El Bosque, Universidad del Rosario, Colombia
Traumatic Flights, Imaginary Fathers and Neurotic Bourgeoisie Frédéric Conrod
The union of psychology and cinema in the construction of characters. Mommy’s case Mommy | Xavier Dolan | 2014 Cristina Hernández-Carrillo de la HigueraFrancisco Javier Ruíz del Olmo

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.

A filming look about the silence of God

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