This article is, for the time being, only available in Spanish: Imaginarios cinematográficos en torno al menosprecio del indocumentado fronterizo. Entre la xenofobia y la deshumanización
NOTAS
MARCH 2021 - JUNE 2021
Universidad Autónoma Metropolitana, México
Universidad Panamericana, México
Abstract
The article recovers the narrative of the film Undocumented (Peckover, 2010) to study the violence against the migrants on the northern border (Mexico-United States). It intersects the context of the construction of migratory policies that spread a xenophobic and racist environment on the border. The analysis of Undocumented —under the premise that the film starts with this socio-political reality— models an anti-racist criticism against the criminalization of the migrant. Also, it shows that the legislative design itself promotes the climate of racism and produces structural and poststructural violence against migrants. It connects this reality with its filmic representation based on the Arizona Law or SB1070, whose origin and foundation contravenes the international discourse of human rights.
Keywords: Cinema | racism | representation | border | undocumented
This article is, for the time being, only available in Spanish: Imaginarios cinematográficos en torno al menosprecio del indocumentado fronterizo. Entre la xenofobia y la deshumanización
NOTAS
Volume 11 | N°1
Segregation
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.