This article is, for the time being, only available in Spanish: Palabras cruzadas en torno a Soleada
NOTAS
JULY 2017
Escuela de Orientación Lacaniana
Abstract
This article crosses words around Soleada (Trettel, 2016), a film that captures through the daring and subtle eyes of its Director the intimacy of a middle-aged woman. The protagonist installed in an interval of her life, at the time that nothing is missing, is confronted with the emergence of the Lacanian affection princeps, affection that doesn’t deceive: the anguish. One woman not every mother, happens. Loneliness as a way leads to the protagonist in some moments to the anguish, the femenine to that area of radical loneliness that lives in the Other jouissance.
Keywords: Woman | Mother | Anguish | Female jouissance | Radical Loneliness | Loss
This article is, for the time being, only available in Spanish: Palabras cruzadas en torno a Soleada
NOTAS
Volumen 7 | Nº 2
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.