Journal de Etica y Cine

Volumen 12 | N° 3

NOVEMBER 2022
November 2022 - February 2023

Five takes on "Argentina, 1985"

Santiago Mitre | 2022
Juan Jorge Michel Fariña, Carolina Córdoba, Dora Serué, Leonardo Amarilla, María Agustina Brandi

NOTAS

Between memories and oblivion: a duel Eternal sunshine of spotless mind | Michael Gondry | 2004 Martín Exequiel Jesús Bertea
Watchmen y psicoanálisis. Doomsday clock, and then… Watchmen | Zack Snyder | 2009 Watchmen | Damon Lindelof | 2019 Javier Mondada
An unyielding wish? The handmaid’s tale | Bruce Miller | 2017 María Pía Marchese
Sublimation and black melancholy: the creation of Yves Saint-Laurent Yves Saint-Laurent | Jalil Lespert | 2014 Saint Laurent | Bertrand Bonnello | 2014 Laetitia Jodeau-Belle
Under the lens of black comedy: social critique and subversive acts in Martin McDonagh’s Three Billboards Outside Ebbing, Missouri Three Billboards Outside Ebbing, Missouri | Martin McDonagh | 2017 Antonella Carpio Arias; Universidad Estatal Amazónica, EcuadorGalo Vásconez Merino; Universidad Nacional de Chimborazo, Ecuador
Peirce’s secondness in true crime documentaries. Annotations on The Jinx: The Life and Death of Robert Durst The Jinx: the life and deaths of Robert Durst | Andrew Jarecki | 2015 Santiago Martín López Delacruz

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.

Five takes on "Argentina, 1985"

Table of Contents