This article is, for the time being, only available in Spanish: Metales hipersónicos, mujeres-insecto cantantes, orquídeas sinfónicas. Cuerpos híbridos en Vermilion Sands, de J. G. Ballard
NOTAS
Fondation de l’Allemagne - Maison Heinrich Heine, París
Abstract
The article proposes a reflection based on different literary works from science fiction, to establish an analysis focused on the tension between the biotechnological field and human subjectivity. Focusing on two works by James Graham Ballard, the iconic short story collection Vermilion Sands and his novel Crash, the author presents an intertext with film and literature. Based on a dialogue with the filmic version of Crash, directed in 1996 by David Cronenberg, and with the critical work of Donna Haraway, she introduces a hypothesis related to both the dimension of corporality and gender aspects in fictional narratives.
Keywords: Sci-fi | Cronenberg | cinema | post-gender world
This article is, for the time being, only available in Spanish: Metales hipersónicos, mujeres-insecto cantantes, orquídeas sinfónicas. Cuerpos híbridos en Vermilion Sands, de J. G. Ballard
NOTAS
Volumen 14 | Nº 2
JULY 2024
July 2024 - Octuber 2024
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.