This article is, for the time being, only available in Spanish: Lisbeth Salander, una histeria actual
NOTAS
NOVEMBER 2021
November 2021 - February 2021
Facultad de Psicología de la Universidad de la República (UDELAR)
Abstract
The Millennium literary trilogy on which the Swedish films The Men Who Loved Women, The Girl Who Dreamed of a Match and a Can of Gasoline and The Queen in the Palace of Drafts were based, stars Lisbeth Salander, a character who allows us to work on psychoanalytic concepts of hysteria, a clinical structure that not only works as an structure that groups different phenomena in the same logic and allows them to be differentiated from perversions and psychoses, but also refers to the way desire is transmitted. A structure that accompanied the social changes in the history of humanity with the mutation of its symptoms.
Key words: hysteria | desire | love | symptom | change
This article is, for the time being, only available in Spanish: Lisbeth Salander, una histeria actual
NOTAS
Volumen 11 | Nro 3
NOVEMBER 2021
November 2021 - February 2021
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.