This article is, for the time being, only available in Spanish: La responsabilidad por la repetición
NOTAS
JULY 2013
Abstract
Groundog Day, is a comedy by Harold Ramis that tells the story of a man trapped in a time loop, which condemns him to living the same day every day. This is the basis of a philosophical reflection on the sense of existence, the ethical position regarding desire and responsibility towards others. As of Soren Kierkegaard y Friedrich Nietzsche’s thoughts, the concept of repetition is resumed, showing how repetition in these authors could be a novelty, a work for liberty, the very object of want. The film allows for thinking Nietzsche’s repetition as a way to legality which surpasses Kantian morals, introducing a reflection on desire and love.
Key Words: Nietzsche | Repetition| Act | Responsability
This article is, for the time being, only available in Spanish: La responsabilidad por la repetición
NOTAS
Volumen 3 | Nº 2
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.