This article is, for the time being, only available in Spanish: Freud como espectador de Chaplin. La identidad en la diferencia and French: “Le Kid”: Freud en tant que spectateur de Chaplin : L’identité dans la différence
NOTAS
JULY 2018
Dr. en Psicología por la UBA. Profesor Titular Regular Psicología, Ética y Derechos Humanos e Investigador Categoría I Programa UBACyT. Co-Director de Ética y Cine Journal, Aesthethika y JAHR Revista Europea de Bioética. Director del partenariado UBA del Centre d´Études du Vivant, Université Paris VII.
Abstract
In 1920 and 1921 there were two events, one theoretical, the other aesthetic. Sigmud Freud published his writing Beyond the pleasure principle and Charles Chaplin premiered his film The Kid. They were both works of enormous influence in their respective fields. This article analyzes their points of contact, regarding the rights of the child, the issue of identity and death drive. Once again the cinema is presented as a supplement to the theoretical questions, allowing us to lucidly discuss current issues in relation to children and adolescents.
Keywords: Death drive | Right to identity | Cinema | Psychoanalysis
This article is, for the time being, only available in Spanish: Freud como espectador de Chaplin. La identidad en la diferencia and French: “Le Kid”: Freud en tant que spectateur de Chaplin : L’identité dans la différence
NOTAS
Volumen 8 | Nº 2
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.