Journal de Etica y Cine

Volumen 03 | Nro 1

MARCH 2013

Soul Kitchen. More of the same, but different!

Soul Kitchen | Fatih Akin | 2009
Juan Pablo Duarte

Abstract

The following work presents one of the identification modality, that according to Jacques-Alain Miller, builds itself as a predominant in present societies: identification towards the consumer. Based on the film Soul Kitchen by turkish – german director Faith Akin, it is reflected on the misplacing which this identification modality produces in contemporary subjects. It is also proposed the redirection to singularity as a possible orientation.

This article is, for the time being, only available in Spanish: Soul Kitchen. Más de lo mismo ¡pero distinto!

NOTAS

Habemus Papam... Or the feminization of the world Habemus Papam | Nanni Moretti | 2011 Guido Coll
The salvation of Tarantino Pulp Fiction | Quentin Tarantino | 1994 Daniela Fernández
Pulp Fiction: An interpretation of the contemporary subjetivity Pulp Fiction | Quentin Tarantino | 1994 Jorge Pablo Assef
TIME: the woman, man’s sculpture Time | Kim Ki Duk | 2006 Carolina Koretzky
Ben X: Notes about the statute of the truth and the singular of suffering Ben X | Nic Balthazar | 2007 Gisela Smania
We need to talk about Kevin: A mother, her son, an act We Need to Talk About Kevin| Lynne Ramsay | 2011 Dinorah Otero

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.

Soul Kitchen. More of the same, but different!

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