This article is, for the time being, only available in Spanish: La banalidad del olvido. Meta-memoria en el cine de los 2020´s.
NOTAS
JULY 2022
JULY 2022 - OCTUBER 2022
Universidad de Salamanca
Abstract
In recent years, a series of films have emerged, in which the main characters are required to confront processes of historical consciousness, but in which they are also forced to confront other characters who are opposed to keeping historical memory alive. Thus, cinema becomes a space for theoretical reflection about the relevance of developing processes of historical memory today. In this text, these films will be analyzed trying to unravel the ethical and psychological consequences of keeping the memory of violence and harm alive, and also analyzing the role that cinema plays when it comes to theorizing about the positions that we can adopt towards historical memory.
Keywords: Historical memory | meta-memory | violence | grief | community
This article is, for the time being, only available in Spanish: La banalidad del olvido. Meta-memoria en el cine de los 2020´s.
NOTAS
JULY 2022
July 2022 - Octuber 2022
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.