This article is, for the time being, only available in Spanish: El cuento de la criada: psicoanálisis, feminismos y religión
NOTAS
NOVEMBER 2019
November 2019 - February 2020
Escuela de Orientación Lacaniana (EOL) Sección Córdoba
Abstract
The present article, from the TV series The handmaid’s tale (Atwood and Moss, 2017), addresses the history of women and the universe of the feminine in articulation with psychoanalysis, trying to answer the place they occupy to it. Thus, it starts from the beginning of psychoanalysis with Freud and his commitment to listen to the discomfort of the pibas of that time. The tour leads to outline an answer about what is feminine for psychoanalysis and what it would mean to speak of a feminist psychoanalysis. Likewise, it emphasizes two signifiers that take an unprecedented prominence in the current state and that the series, as a phenomenon that accounts for the present, allows addressing: feminisms and religions.
Keywords: Neopaternalism | no sexual intercourse | sexuation | female position | pibas | Freud
This article is, for the time being, only available in Spanish: El cuento de la criada: psicoanálisis, feminismos y religión
NOTAS
Volume 9 | Nro 3
Gurls
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.