This article is, for the time being, only available in Spanish: Lo ominoso es la familia
NOTAS
Volumen 13 - Nº 3
NOVEMBER 2023
November 2023 - February 2024
Universidad Autónoma de Entre Ríos, Instituto Clínico de Buenos Aires
Abstract
From the Sharp Objects series, we will be redirected to think about the concept of the ominous. Here we will take two lines, the first leads us to connect this concept with the so-called child factor thanks to the philological perspective that brings it back to the term “familiar”. However, with the contribution of the series, what appears as an adjective will become a noun in order to be able to maintain that the ominous is the family. The second line leads us to think the ominous under the particular forms of return. At this point we will deal with the particularities and modalities of the return of the oral object. The series also allows us to point out that the child factor becomes linked to the concept of trauma, which we will take here in the form of a time and a repetition characterised by a never-ending non-occurrence. Finally, with the material produced, a reading of trauma is proposed as that which allowed the protagonist to escape a fatal fate.
Keywords: Sharp objects | ominous | Child factor | Trauma
Volumen 13 | Nº 3
NOVEMBER 2023
November 2023 - February 2024
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.