This article is, for the time being, only available in Spanish: La representación del origen de la humanidad en “2001: A Space Odyssey”
NOTAS
NOVEMBER 2017
Facultad de Filosofía y Humanidades Universidad Nacional de Córdoba
Abstract
The relations between humanity and technics confront thinking with a series of paradoxes. In order to start our exposition we return to the synthesis elaborated by Andrew Feenberg in relation to this problem. Then we focus on the exposition of french philosopher Bernard Stiegler’s propositions, who has attempted to give an answer to this problem through an original theoretical development. We return succinctly to the concepts of technical system, tendency and anticipation in order to consider the commentary and appropriation that the french philosopher makes of the paleoanthropological discoveries of Léroi-Gourhan. Finally we focus on some remarks in relation to the movie “2001: Space Odyssey” in the light of this issues, in order to apply the previously presented concepts.
Keywords: Stiegler | Technics | Time | Anticipation
This article is, for the time being, only available in Spanish: La representación del origen de la humanidad en “2001: A Space Odyssey”
NOTAS
Volumen 7 | Nº 3
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.