This article is, for the time being, only available in Spanish: Las huellas de Lynch en la pantalla chica
NOTAS
JULY 2012
Abstract
This paper explores the place of the series today, its particular form of storytelling. From the postulates of Wajcman, who suggested the impossibility of a theory of art in general, since no one could speak of works of art, we decided to rely on a particular series. Thus we come to Twin Peaks, in the 90 series presented by Mark Frost and David Lynch. During the time that lasted his life on TV was not recognized at the spectators, but now takes a special prominence, being one of the first series conducted under the cinematic narrative style, which is why today has been established as a cult series. The question that went through all the work is whether this serie suture the meaning or if it respects the void and makes an operative site, and instead there is the ethical question about the works of art.
Key words: Art | Ethics | Fiction | Duality | Real
This article is, for the time being, only available in Spanish: Las huellas de Lynch en la pantalla chica
NOTAS
Volumen 2 | Nº 2
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.