This article is, for the time being, only available in Spanish: Bajo el signo de un dios salvaje: escenarios contemporáneos del superhéroe
NOTAS
JULY 2019
July 2019 - October 2019
Universitat Pompeu Fabra, España
Abstract
Beyond their mythological dimension, the contemporary movie adaptations of the Marvel superheroes universe offer a pedagogy about the technological relationship between body and mutation. Throughout the history of the superhero comic-book, the myth has evolved from the original unfolding of the hero, double identity and mutation towards narratives related to the oneiric and also to a field of philosophical tension between transhumanism and the posthuman. This article takes a historical and conceptual journey through the superhero archetype to emphasize the assembly between the possibilities of comics and the cinema. Both the contemporary singularities of the mutant, on the one hand, and the unorthodox approaches to the superhero by the filmmaker Manoj Night Shyamalan constitute a philosophical, ethical and mythological investigation of the political, social and perceptive devices that accompany the legacy of this tradition born at the same time that the adventurous comic-strips of the thirties.
Key Words: Superhero | Mutant | Marvel Universe | DC Comics | Posthuman
This article is, for the time being, only available in Spanish: Bajo el signo de un dios salvaje: escenarios contemporáneos del superhéroe
NOTAS
Volume 9 | Nro 2
Super(hete)roes
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.