This article is, for the time being, only available in Spanish: Trauma cultural y violencia en el México contemporáneo
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NOTAS
Facultad de Ciencias Políticas y Sociales de la Universidad Nacional Autónoma de México
Abstract
The article briefly reviews the way in which the concept of trauma, originally elaborated in psychoanalysis, has been taken up by the social sciences under the term social or cultural trauma, as well as by film studies, in order to use it to analyze the way in which two traumatic events in contemporary Mexican history, namely, the massacre of students in the Plaza de las Tres Culturas in Mexico City on October 2, 1968, and the forced disappearance of 43 students from the "Raúl Isidro Burgos" Rural Normal School in Ayotzinapa on the night of September 26, 2014, are reworked in Isaac Ezban’s film Los parecidos, in the context of the violence generated by organized crime in contemporary Mexican society.
Keywords: cultural trauma | mexican cinema | terror | violence
This article is, for the time being, only available in Spanish: Trauma cultural y violencia en el México contemporáneo
``
NOTAS
Volumen 14 | N° 1
MARCH 2024
March 2024 - June 2024
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.