This article is, for the time being, only available in Spanish: La ciudad de los nervios excitados: vida urbana en el noir argentino clásico
NOTAS
Facultad de Arte – Universidad Nacional del Centro de la Provincia de Buenos Aires
https://orcid.org/0000-0003-4006-8395
Abstract
In the following article we propose to carry out the analysis of the films Apenas un delincuente (Fregonese, 1949), Del otro lado del puente (Rinaldi, 1953) and Final Rehearsal (Lugones, 1955), works belonging to the Argentine film noir made during Peronism, in which urban life takes center stage. Starting from the study of the affective mappings of the protagonists, we will try to demonstrate how a Peronist feeling develops in its paths, while we will develop a study of the spaces in the Argentine variant of the noir genre.
Keywords: film noir | Argentina | peronism | city | affections
This article is, for the time being, only available in Spanish: La ciudad de los nervios excitados: vida urbana en el noir argentino clásico
NOTAS
Volumen 14 | N° 1
MARCH 2024
March 2024 - June 2024
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.