This article is, for the time being, only available in Spanish: Lo que arde en Candelaria es la vida
NOTAS
NOVEMBER 2021
November 2021 - February 2021
Abstract
The definition of the feminine as jouissance constitutes the starting point of the article. Logic and consequence of such definition unfold, also the resonances with some authors of difference feminism. The film Candelaria, a latin american co-production and directed by Jhonny Hendrix Hinestroza, is taken as a reference to account for the difficulties of capturing the feminine jouissance, either through the gaze or any instinctual aspect as well as through language.
Keywords: feminine jouissance | Other | feminism | look
This article is, for the time being, only available in Spanish: Lo que arde en Candelaria es la vida
NOTAS
Volumen 11 | Nro 3
NOVEMBER 2021
November 2021 - February 2021
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.