This article is, for the time being, only available in Spanish: La gran pantalla como laboratorio y espejo para la roboética
NOTAS
JULY 2022
JULY 2022 - OCTUBER 2022
Universidad Europea de Madrid
Abstract
Roboethics is a branch of applied ethics interested in the ethical and social challenges of robotics and artificial intelligence. In this essay I use the science-fiction cinema to reflect in this discipline, taking into account the dual function of this genre as “mirror” of the techno-scientific avant-garde and as a “laboratory” for futuristic speculation and social influence. Among the ethical-social issues related to these technologies, I focus my efforts on analysing (1) the risk and associated security measures, (2) the inherent rights and duties, and (3) the relational consequences of the human-machine dyad. In conclusion, it should be noted that the science-fiction cinema has approached without dissimulation (with a different degree of plausibility) all these questions, which seem of the utmost urgency if we consider the bio-psycho-social impact that robotics and cybernetics already have (and will have) in our lives.
Keywords: roboethics | science-fiction | robotics | artificial intelligence | technological singularity | transhumanism
This article is, for the time being, only available in Spanish: La gran pantalla como laboratorio y espejo para la roboética
NOTAS
JULY 2022
July 2022 - Octuber 2022
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.