This article is, for the time being, only available in Spanish: La ocasión perdida. Comentario a The lost daughter, de Maggie Gyllenhaal
NOTAS
JULY 2022
JULY 2022 - OCTUBER 2022
Universidad de Buenos Aires
Abstract
Maggie Gyllenhaal´s film The lost daughter -an adaptation from Elena Ferrante´s novel “The dark daughter”- addresses the issue of woman´s desire as not reducible to the desire of motherhood, installing a conflict with other desires for personal and sexual fulfillment. The film can be read as a criticism to the social commandment addressed to women to dedicate themselves as wives and mothers. From this critique to the patriarchal order, the character of Leda is an Ibsenian heroine. But that aspect of the film is insufficient to explain her behavior. The scene in the beach of a young mother with her little daughter and her doll, forces her to reconsider her past decisions. There is an ignored dimension in her as a daughter, that opens us to the effects of maternal havoc on the mother-daughter bond.
Keywords: desire | maternal havoc | responsibility | guilt
This article is, for the time being, only available in Spanish: La ocasión perdida. Comentario a The lost daughter, de Maggie Gyllenhaal
NOTAS
JULY 2022
July 2022 - Octuber 2022
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.