This article is, for the time being, only available in Spanish: Los paisajes del duelo: espacios de pérdida en la costa argentina
NOTAS
Volumen 13 - Nº 2
JULY 2022
July 2022 - Octuber 2022
Christopher Newport University
Abstract
This article presents a spatial approach to grief through the analysis of Pinamar (2016) by Federico Godfrid, Las olas by Natalia Dagatti (2017) and Los miembros de la familia (2019) by Mateo Bendesky. The recent death of the mother is the starting point of these three films that are set in coastal towns or cities of Buenos Aires during the off season. This essay examines the relationship between grief and space by exploring how the return to a liminal space (the coast) and materiality of its landscape create a cinematic form and narrative that represents the dislocation of the self when it faces the absence left by death.
Keywords: mourning | grief | landscape | coast | space | haptic
This article is, for the time being, only available in Spanish: Los paisajes del duelo: espacios de pérdida en la costa argentina
NOTAS
Volumen 13 | Nº 2
JULY 2023
July 2023 - Octuber 2023
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.