This article is, for the time being, only available in Spanish: Un curso sobre los derechos humanos en la gran pantalla
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last update noviembre de 2024
Volumen 14 | Nº 2 - July 2024
Book Review
Francisco Pérez Fernández
A course on human rights on the big screen
Los derechos humanos en el cine | Benjamín Rivaya García | 2024Francisco Pérez Fernández
Universidad de Oviedo
Abstract
The aim of this paper is to comment the work Human Rights in cinema, written by Benjamín Rivaya García. The book itself is an original exercise of analysis on the presence that human rights have had in cinematographic narration throughout history. As its author explains to us, the objectives pursued by the work are to explain the particular way in which cinema relates to the legal world, identify the ideological elements that are present in film discourse and claim the indisputable role that cinema has today as an educational resource. Its reading is especially revealing when it addresses all these broad questions, which are not always treated according to the importance that undoubtedly belongs to them. Here we will try to make a brief exposition and comment on the main themes discussed in the book, with the intention of promoting a different and pleasant approach to cinematographic art.
Keywords: Law and cinema | human rights | legal cinema | social sciences
Volumen 14 | Nº 2
JULY 2024
July 2024 - Octuber 2024
Table of Contents
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Acting: The mise en abyss in cinema as a resource of the analytical clinic Juan Jorge Michel FariñaEduardo Laso
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Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future. The subversive power of the Body-without-Organs Eraserhead | David Lynch | 1977 - Crímenes del futuro | David Cronenberg | 2022 Luis Ángel Campillos
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The femme fatale function in film noir and poetic realism Scarlet Street | Fritz Lang | 1945 - La chienne | Jean Renoir | 1931 Juan M. Dardón
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Heroicity as an arena of gender struggle. The case of the Robin Hood series Robin Hood | Dominic Minghella, Foz Allan | 2006-2009 Cecilia Luque
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Tarantino and subtle violence of ideology Rodolfo Vera García
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From Horror to Body Transmutation in The Cinema of David Cronenberg Shivers | 1975 - Rabib | 1977 - Scanners | 1981 - The Brood | 1979 - Videodrome | 1982 - The Fly | 1986 - eXistenZ | 1999 - Crash | 1996 Xavier Brito Alvarado
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Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies Vermilion Sands | Crash | J. G. Ballard Franziska Humphreys
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The challenges of society through fantasy cinema: the role of the forest Errementari | Paul Urkijo Alijo | 2017 - Irati | Paul Urkijo Alijo | 2022 Ander Goikoetxea Pérez
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PSICOCINE: a space for the promotion of mental health in Camagüey, Cuba Pablo Hernández Figaredo
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.