This article is, for the time being, only available in Spanish: Freud y la “intuición cinematográfica”: psicoanálisis, cine y epistemología
NOTAS
Université de Lausanne, Suiza
Abstract
On the basis of a brief historiographic analysis, this article examines the network of relations between psychoanalysis and cinema by using a new method of inquiry that crosses these “twin” spheres from an epistemological perspective. The approach consists of questioning the way in which psychoanalytic theory is put into play in response to the cinematographic apparatus. This means examining the syntagm “psychoanalysis and cinema” on the larger field of the study of the episteme in which it is inscribed: an episteme which implicitly makes cinema function within the psychoanalytic field just as it liberates it from its “auxiliary” status.
Keywords: psychoanalysis | cinema
This article is, for the time being, only available in Spanish: Freud y la “intuición cinematográfica”: psicoanálisis, cine y epistemología
NOTAS
Volumen 14 | Nº 2
JULY 2024
July 2024 - Octuber 2024
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.