This article is, for the time being, only available in Spanish: Freud y la “intuición cinematográfica”: psicoanálisis, cine y epistemología
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ISSN 2250-5660 print | ISSN 2250-5415 online
last update octubre de 2024
Volumen 14 | Nº 2 - July 2024
Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology
Mireille Berton
Université de Lausanne, Suiza
Abstract
On the basis of a brief historiographic analysis, this article examines the network of relations between psychoanalysis and cinema by using a new method of inquiry that crosses these “twin” spheres from an epistemological perspective. The approach consists of questioning the way in which psychoanalytic theory is put into play in response to the cinematographic apparatus. This means examining the syntagm “psychoanalysis and cinema” on the larger field of the study of the episteme in which it is inscribed: an episteme which implicitly makes cinema function within the psychoanalytic field just as it liberates it from its “auxiliary” status.
Keywords: psychoanalysis | cinema
Volumen 14 | Nº 2
JULY 2024
July 2024 - Octuber 2024
Table of Contents
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Acting: The mise en abyss in cinema as a resource of the analytical clinic Juan Jorge Michel FariñaEduardo Laso
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Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future. The subversive power of the Body-without-Organs Eraserhead | David Lynch | 1977 - Crímenes del futuro | David Cronenberg | 2022 Luis Ángel Campillos
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The femme fatale function in film noir and poetic realism Scarlet Street | Fritz Lang | 1945 - La chienne | Jean Renoir | 1931 Juan M. Dardón
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Heroicity as an arena of gender struggle. The case of the Robin Hood series Robin Hood | Dominic Minghella, Foz Allan | 2006-2009 Cecilia Luque
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Tarantino and subtle violence of ideology Rodolfo Vera García
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From Horror to Body Transmutation in The Cinema of David Cronenberg Shivers | 1975 - Rabib | 1977 - Scanners | 1981 - The Brood | 1979 - Videodrome | 1982 - The Fly | 1986 - eXistenZ | 1999 - Crash | 1996 Xavier Brito Alvarado
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Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies Vermilion Sands | Crash | J. G. Ballard Franziska Humphreys
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The challenges of society through fantasy cinema: the role of the forest Errementari | Paul Urkijo Alijo | 2017 - Irati | Paul Urkijo Alijo | 2022 Ander Goikoetxea Pérez
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PSICOCINE: a space for the promotion of mental health in Camagüey, Cuba Pablo Hernández Figaredo
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Book Review A course on human rights on the big screen Los derechos humanos en el cine | Benjamín Rivaya García | 2024 Francisco Pérez Fernández
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.