This article is, for the time being, only available in Spanish: La heroicidad como arena de lucha del género. El caso de la serie Robin Hood
NOTAS
Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones “María Saleme de Burnichon”.
Abstract
In the first decade of the 21st century, diverse socio-cultural sectors, with different and even antagonistic agendas, dispute the right to fix the meanings of femininity and masculinity. Such a dispute is refracted in the television series Robin Hood (BBC, 2006-2009), whose figurations of heroicity function as an arena of gender dispute: the arena is the process of subjectivation, and the dispute, the right to normativize the ways of becoming a "man" or a "woman". The struggle was concentrated around two contentious nodes – the depatriarchalization of masculinity and feminine empowerment– and developed over three seasons, to finally settle on options that annul the lines of flight from the heteropatriarchal system that were initially opened.
Keywords: Heroicity | Figurations | Gender Technologies | Heteropatriarchy
This article is, for the time being, only available in Spanish: La heroicidad como arena de lucha del género. El caso de la serie Robin Hood
NOTAS
Volumen 14 | Nº 2
JULY 2024
July 2024 - Octuber 2024
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.