This article is, for the time being, only available in Spanish: PSICOCINE: un espacio para la promoción de salud mental en Camagüey, Cuba
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last update octubre de 2024
Volumen 14 | Nº 2 - July 2024
PSICOCINE: a space for the promotion of mental health in Camagüey, Cuba
Pablo Hernández Figaredo
Especialista de I y II Grados en Psiquiatría, Profesor Auxiliar y Consultante de Psiquiatría Universidad de Ciencias Médicas de Camagüey, Master en Psiquiatría Social
https://orcid.org/0000-0001-9477-3079
Abstract
Origins and characteristics of PSICOCINE, at Camagüey, a Cuban province, created with de aim of promoting mental health in the community using commercial films, are discussed in this paper. Initiated as a teaching activity by the author in 2012, using 7th Art in order to facilitate the learning of Psychiatry to medical students in 5th year, later was widened to residents and specialists, psychologists and other members of mental health teams, and culminate with the creation in 2018 of a monthly appointment with good cinema and the interested audience, to enjoy a movie previously selected and promoted, and discuss later mental health issues, promotion and prevention of mental disorders, according to the film presented.
Keywords: cinema | mental health promotion | films | seventh art
Volumen 14 | Nº 2
JULY 2024
July 2024 - Octuber 2024
Table of Contents
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Acting: The mise en abyss in cinema as a resource of the analytical clinic Juan Jorge Michel FariñaEduardo Laso
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Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future. The subversive power of the Body-without-Organs Eraserhead | David Lynch | 1977 - Crímenes del futuro | David Cronenberg | 2022 Luis Ángel Campillos
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The femme fatale function in film noir and poetic realism Scarlet Street | Fritz Lang | 1945 - La chienne | Jean Renoir | 1931 Juan M. Dardón
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Heroicity as an arena of gender struggle. The case of the Robin Hood series Robin Hood | Dominic Minghella, Foz Allan | 2006-2009 Cecilia Luque
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Tarantino and subtle violence of ideology Rodolfo Vera García
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From Horror to Body Transmutation in The Cinema of David Cronenberg Shivers | 1975 - Rabib | 1977 - Scanners | 1981 - The Brood | 1979 - Videodrome | 1982 - The Fly | 1986 - eXistenZ | 1999 - Crash | 1996 Xavier Brito Alvarado
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Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies Vermilion Sands | Crash | J. G. Ballard Franziska Humphreys
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The challenges of society through fantasy cinema: the role of the forest Errementari | Paul Urkijo Alijo | 2017 - Irati | Paul Urkijo Alijo | 2022 Ander Goikoetxea Pérez
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Book Review A course on human rights on the big screen Los derechos humanos en el cine | Benjamín Rivaya García | 2024 Francisco Pérez Fernández
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.